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Brussels and 'Ground Euro', a theatre in regress
February 17, 2003
Mix Europe's inability to respond effectively to
complex situations and Belgium's inimitable bureaucracy, situate
the resulting mixture in Brussels - one of the most schizophrenic
cities in Europe, and one where urban destruction in more the rule
than the exception - and then try to create a headquarters here
for the European Union. Bert Muynck explains what you end up with.

Main image courtesy of OMA |
Anyone who has been following Belgian ambitions for the European
Capital for the past two years must be completely bewildered by
now. Under the leadership of Federal Prime Minister Guy Verhofstadt,
Brussels was to embark on a new urban-design venture. Towering ambitions
and blinding promises were piled high to create a political and
urban structure without precedent in Belgium. Past errors would
be made good, backroom architecture forgotten, and two contested
areas turned into emblems of a new political culture in Brussels.
One the one hand the European Quarter - let's call it 'Ground Euro'
- would be tackled by a phalanx of European intellectuals, on the
other the property boom on the Thurn & Taxis site would be kept
within acceptable social levels. And what is the balance after two
years?
To explain the entire recent malaise surrounding 'Ground Euro'
would take me too far here. For that I refer readers to my analysis
in the next Archis (2003-1), on the basis of which the Vai (Flemish
Architecture Institute) is planning a debate, sometime in February,
on the European Quarter. In short, after analysing 'Ground Euro',
an ambitious think-tank (Koolhaas, Eco et al.) came to the following
conclusion: the European Union deserves a capital with an architecture
and urban design capable of communicating with its citizens; the
area needs to be coherently reconsidered in terms of both buildings
and infrastructure; and after years of political terror the inhabitants
of Brussels had to be released from their paranoia. No problem,
the Prime Minister assured us, and he promptly promised international
competitions, transparent structures, openness and multi-functionality
for the area. A few months down the road and the outcome is bewildering:
no results, top bureaucrats who consider missing signatures a lack
of vision, compromises, and last but not least the sale of land
on 'Ground Euro' to the chief contractor, turning the 'global concept
study for the Quarter' into a Fata Morgana. Rarely has 'transparent
structures' been a more apt term to describe the reigning façadism
of the city's politics of urban design.

Flag image courtesy of OMA |
As if the above ambition wasn't enough, another area was to be
tackled at the same time. Thurn & Taxis, located along the canal
zone in Brussels, had for a long time been tipped as the site for
future top-level European meetings. It was supposed to be 'one of
the largest and most innovative projects in the history of Brussels'.
On Tuesday January 21, 2002, HOK presented its 'design' for the
master plan. Words like superficial, corporate, uninspiring, vague,
one-dimensional, ill considered and boring only hint at the nasty
feeling left by the presentation. The rigid separation of housing,
work, leisure and obligatory greenery reveals nothing of the multi-functionality
promised by the developers. Even more disappointing was the advice
to the public not to view the water-colour impression as a 'design'
but rather as a means of communicating the proposed zoning. No doubt
we should probably view the urban designers at HOK as 'feel-good'
urban impressionists too.
Master plan image Thurn & Taxis courtesy of HOK/Project T&T |
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In the project for Thurn & Taxis the relevant authorities could
act in a managing capacity only. So they can therefore be accused
only of lacking vision, incapable of realising ambitions, and refraining
from active engagement in the development process. The conclusion
for 'Ground Euro' reads otherwise, however. For the authorities
acted an initiator (witness their involvement in the think-tank),
as client (witness the abandoned ambition for an international competition)
and finally as owner (witness the dubious sale of land). The conclusion
is all too clear: the Belgian authorities are failing to translate
expectations into suitable operational mechanisms. This becomes
especially painful when we see the same thing happening at 'Ground
Euro', an area that needs nothing less than an international character.
If we consider the attention generated world-wide by the designs
for 'Ground Euro', the attitudes they adopt towards a precarious
urban area, and the efforts made to communicate them, only one question
remains. How is it possible that the ambitions for 'Ground Euro',
and the European Capital in general, cannot do justice to such proposals?
If the current plans for 'Ground Euro' - involving four offices,
a European Congress Centre and division of responsibilities - continue
along the same road, then the area will undoubtedly acquire a disastrous
identity and display a degrading and lamentable vision. The European
District must testify to an identity and quality of life and, for
all the world leaders who'll come there, become an 'Esposizione
Universale' for political decisions, communication, character, quality
and humanity. This can only be achieved if policy is reversed and
a fresh start on this important project is made - thought through,
well founded and put together in a comprehensive manner.
The question remains whether those 'crazy Belgians' will ever realise
that they are burdening current and future generations of Europeans
with two new urban masochistic crimes. It's high time to make them
realise this and to offer the relevant authorities (local, federal
and European) the proper means and strategies with which to translate
their complex national structure and internal differences into a
workable contemporary architectural and urban-design policy for
Brussels. The future European Capital deserves nothing less.
Bert de Muynck, architect and cultural scholar
All three images overdub by Bert de Muynck, 2003
Translation: Billy Nolan
more information:
The analysis of the complete, recent urban-design history of 'Ground
Euro' appears in Archis 2003-1. The complete report Brussels, Capital
of Europe, Umberto Eco, Rem Koolhaas (OMA) et al., including the
OMA design for a new European logo, can be downloaded
in PDF format.
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